All works

All That Is Solid

Candle

A candle in the form of the Seagram Building. As it burns, the tower gradually consumes its own form, turning an image of architectural permanence into something temporary.

The candle in motion

A 20-second silent film of the candle burning, as wax begins to run down the tower.

All That Is Solid, stage 1: before lighting

Before lighting

The Seagram Building is recast as a candle: a familiar image of permanence made from a material that burns away.

All That Is Solid, stage 2: a building set alight

A building set alight

A flame appears above the intact tower.

All That Is Solid, stage 3: the first change

The first change

The roof softens and the first drip crosses the regular grid of the facade.

All That Is Solid, stage 4: a different kind of structure

A different kind of structure

Wax runs down the tower and gathers at its base.

All That Is Solid, stage 5: losing its outline

Losing its outline

The melting roof interrupts the building’s rectilinear form.

All That Is Solid, stage 6: a diminishing monument

A diminishing monument

As the candle burns lower, the facade begins to disappear.

All That Is Solid, stage 7: form in flux

Form in flux

The remaining grid and the flowing wax describe two states of the same object.

All That Is Solid, stage 8: all that is solid

All That Is Solid

The tower becomes shorter while the pool of wax spreads around its base.

For exhibitions, acquisitions and commissions: [email protected].

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Selected works

50 works in 4 files. More to come.

About Sam Jacob

Sam Jacob makes work that explores the strange lives of familiar things. His work draws on the images, objects and fragments of history through which we construct ideas of nature, culture and ourselves.

Across drawings, objects, installations and curatorial projects, he examines how architecture and material things embody social and cultural ideas, how ‘fictions’ become ‘real’, how ideas become things, and how things become ideas.

Collage, copying and processes of reconstruction are central to this practice, which also moves between digital processes and physical materiality. These transformations and translations bring both humour and unease to questions of memory, value and meaning.

Solo exhibitions include Against Nature (2023) and Empire of Ice Cream (2019) at Betts Project, London, and Disappear Here at the RIBA Architecture Gallery (2018). His work has also been exhibited at the Art Institute of Chicago, the V&A, MAK Vienna, the National Museum in Oslo, the Graham Foundation in Chicago and Secession, Vienna, and at Manifesta and the Venice and Chicago architecture biennials.

Curatorial projects include A Clockwork Jerusalem, co-curated with Wouter Vanstiphout for the British Pavilion at the 2014 Venice Architecture Biennale; The Lie of the Land at MK Gallery; and Pattern as Politics, with Priya Khanchandani, at the 2019 Lisbon Architecture Triennale.

Jacob is a columnist for ArtReview, writes Strangeharvest, and is the author of Make It Real: Architecture as Enactment. He is Professor and Dean of the Institute of Architecture at the University of Applied Arts Vienna (Die Angewandte), and directs Sam Jacob Studio, a collaborative architecture and design practice.

For exhibitions, gallery enquiries, acquisitions and commissions, contact [email protected].