All works

The Bank of England in Ruins

Exhibition · 11 December 2025 – 17 January 2026 · Hypha Studios, No.1 Poultry, London

An exhibition about architecture, ruins, value and money, shown in James Stirling’s No.1 Poultry opposite the Bank of England. Joseph Gandy’s 1830 drawing of John Soane’s recently completed bank as a future ruin becomes the starting point for models, drawings and objects. Historical fragments are reassembled to imagine possible futures.

Curated by Sam Jacob, Allen Bell, John Clayson and Eda Sefa / Studio Jacob. Presented by Hypha Studios and recessed.space.

Installation view, No.1 Poultry
The Bank of England in Ruins, Studio Jacob

Ruins as a beginning

A large model made by Studio Jacob translates Gandy’s drawing into a physical landscape. Alongside it are images of architecture taken from banknotes, souvenir models cast from shredded money and new responses to photographs of the bank’s demolition. The exhibition considers the exchange between economic, symbolic, social and use value.

The Bank of England in Ruins (Model), 2024: Studio Jacob / Institute of Architecture / University of Applied Arts, Vienna. CNC’d MDF, PLA 3D print, paint.

Creative direction:: Sam Jacob.

Manufacturing leads:: Allen Bell, Eda Sefa.

Team:: Hoda Balouchi, Christiane Braml, Yurii Brytov, Mihaela Carpov, Anzhelika Chernytska, Meltem Çinar, John Clayson, Lucia Flir, Mohammad Sajad Ghaderi, Mariia Gross, Melika Hadjarzadeh, Igor Ivanec, Ali Jafari, Asal Kavianifar, Erfan Khosravi, Jonathan Kielhorn, Mintong Lu, Joel Nikles, Marlene Ortner, Jonas Ramoser, Mikael Ristmets, Byron Hayes Roberts, Matthew Simpson, Lærke Nolsø Pommersgård Virkelyst, Zhongzheng Zhang.

Assisting faculty:: Benno Groer, Karl Holzer, Afshin Koupaei.

The pink Bank of England in Ruins model by Studio Jacob, with manufacturing led by Allen Bell and Eda Sefa

Contributors

The Bank of England in Ruins (Model), 2024 Studio Jacob. Manufacturing leads: Allen Bell and Eda Sefa.

Featuring work by Studio Jacob / Institute of Architecture, die Angewandte, Vienna, and contributions by:

Supported by Hypha Studios, recessed.space, Cheapside and Sir John Soane’s Museum.

Aslı Çiçek

Bamidele Awoyemi

CAN

David Kohn

DRDH

Drawing Architecture Studio

Fala

Hugh Strange

Joseph Zeal Henry

Kuehn Malvezzi

Madelon Vriesendorp

Maria Lisogorskaya

Mary Duggan

MBL architects

MOS

Muoto

Nigel Coates

Paradigma Ariadné

Paul Andersen

Peter Wilson

Pier Paolo Tamburelli

Piovenefabi

Point Supreme

Sam Chermayeff

Sean Griffiths

Sergison Bates

Shahed Saleem

Space Popular

Supervoid

Witherford Watson Mann

Pasticcio (Finance edition), a blue architectural column by Studio Jacob

Pasticcio (Finance edition)

Studio Jacob / Institute of Architecture / University of Applied Arts, Vienna. Modelmakers: Allen Bell, John Clayson, Philip Emrich, Miku Kawai, Mintong Lu, Joel Nikles, Jonas Ramoser, Xaver Roos, Eda Sefa, Philipp Frei, Afshin Koupaei.

Architecture and value

Architecture and value

Forms Derived from a Cube (Mortgage) displayed alongside architectural fragments in The Bank of England in Ruins

Forms Derived from a Cube (Mortgage) and architectural fragments

Banknote collage by Madelon Vriesendorp, displayed on a shelf in The Bank of England in Ruins

Banknote collage — Madelon Vriesendorp

Tender Documents

Tender Documents

Architects’ responses

Architects’ responses

Architects’ responses, detail

Architects’ responses, detail

For exhibitions, acquisitions and commissions: [email protected].

Opening the files…

Selected works

50 works in 4 files. More to come.

About Sam Jacob

Sam Jacob makes work that explores the strange lives of familiar things. His work draws on the images, objects and fragments of history through which we construct ideas of nature, culture and ourselves.

Across drawings, objects, installations and curatorial projects, he examines how architecture and material things embody social and cultural ideas, how ‘fictions’ become ‘real’, how ideas become things, and how things become ideas.

Collage, copying and processes of reconstruction are central to this practice, which also moves between digital processes and physical materiality. These transformations and translations bring both humour and unease to questions of memory, value and meaning.

Solo exhibitions include Against Nature (2023) and Empire of Ice Cream (2019) at Betts Project, London, and Disappear Here at the RIBA Architecture Gallery (2018). His work has also been exhibited at the Art Institute of Chicago, the V&A, MAK Vienna, the National Museum in Oslo, the Graham Foundation in Chicago and Secession, Vienna, and at Manifesta and the Venice and Chicago architecture biennials.

Curatorial projects include A Clockwork Jerusalem, co-curated with Wouter Vanstiphout for the British Pavilion at the 2014 Venice Architecture Biennale; The Lie of the Land at MK Gallery; and Pattern as Politics, with Priya Khanchandani, at the 2019 Lisbon Architecture Triennale.

Jacob is a columnist for ArtReview, writes Strangeharvest, and is the author of Make It Real: Architecture as Enactment. He is Professor and Dean of the Institute of Architecture at the University of Applied Arts Vienna (Die Angewandte), and directs Sam Jacob Studio, a collaborative architecture and design practice.

For exhibitions, gallery enquiries, acquisitions and commissions, contact [email protected].