All works

Bricolage Collection

Furniture / lighting

Furniture and lighting bring familiar fragments into unexpected relationships. A tubular frame holds a speckled armchair; ornamental glass shades become illuminated towers; a floor lamp passes through a wooden stool. Each object keeps the differences between its parts visible.

The block-like armchair and its tubular frame retain distinct identities within one piece of furniture.

Stacked glass shades turn changing profiles and colours into a rhythm of light.

A floor lamp and a wooden stool share the same slender stem.

A weathered carved fragment becomes one of the table’s supports.

A circular reflective surface brings together a carved fragment, a red structural section and a polished sphere.

Changing light, shadows and reflections create further connections between the objects.

Bricolage Collection
Bricolage Collection

Armchair

Bricolage Collection

Stacked lamps

Bricolage Collection

Stool lamp

Bricolage Collection

Table, support detail

Bricolage Collection

Table

Bricolage Collection

Installation view

For exhibitions, acquisitions and commissions: [email protected].

Opening the files…

Selected works

50 works in 4 files. More to come.

About Sam Jacob

Sam Jacob makes work that explores the strange lives of familiar things. His work draws on the images, objects and fragments of history through which we construct ideas of nature, culture and ourselves.

Across drawings, objects, installations and curatorial projects, he examines how architecture and material things embody social and cultural ideas, how ‘fictions’ become ‘real’, how ideas become things, and how things become ideas.

Collage, copying and processes of reconstruction are central to this practice, which also moves between digital processes and physical materiality. These transformations and translations bring both humour and unease to questions of memory, value and meaning.

Solo exhibitions include Against Nature (2023) and Empire of Ice Cream (2019) at Betts Project, London, and Disappear Here at the RIBA Architecture Gallery (2018). His work has also been exhibited at the Art Institute of Chicago, the V&A, MAK Vienna, the National Museum in Oslo, the Graham Foundation in Chicago and Secession, Vienna, and at Manifesta and the Venice and Chicago architecture biennials.

Curatorial projects include A Clockwork Jerusalem, co-curated with Wouter Vanstiphout for the British Pavilion at the 2014 Venice Architecture Biennale; The Lie of the Land at MK Gallery; and Pattern as Politics, with Priya Khanchandani, at the 2019 Lisbon Architecture Triennale.

Jacob is a columnist for ArtReview, writes Strangeharvest, and is the author of Make It Real: Architecture as Enactment. He is Professor and Dean of the Institute of Architecture at the University of Applied Arts Vienna (Die Angewandte), and directs Sam Jacob Studio, a collaborative architecture and design practice.

For exhibitions, gallery enquiries, acquisitions and commissions, contact [email protected].